Opening This Week
Kristofor Brown (screenplay) &
Seth Rogen (screenplay)
John Hughes (story) (as Edmond Dantes)
Ryan, Wade and Emmit attend their first day at high school and they’re pumped ... until they meet up with Filkins, a school bully who comes off like a little Hannibal Lecter. Before they become completely engulfed in Filkins’ reign of terror, they seek out some protection by placing an ad in soldier of fortune magazine. Their best response - and the cheapest - comes from Drillbit Taylor (Owen Wilson), a down-on-his luck soldier of fortune who lives a homeless - he likes to say “home free” - existence on the beach. He enrolls them in some physical and mental training.
Adam Corolla (story)
Kevin Hench (screenplay)
Jerry Ferro's 40th birthday has brought his life into sharp relief and it's not a pretty picture. A once-promising amateur boxer -- who quit so he wouldn't risk his perfect record of underachievement -- Jerry has been knocking around from one construction job to another and spinning his wheels in an unsatisfying relationship, all the while with an eye toward eventually getting his shit together. His last connection to the fight game is the evening boxing class he teaches to middle-aged, middle class, middle management types at a gym in Pasadena, where he also works as a handyman. When venerable boxing coach Eddie Bell asks Jerry if he'd like to spar a couple of rounds with Malice Blake, an up-and-coming pro, Jerry reluctantly steps into the ring. Despite the ass-kicking Jerry otherwise receives, a one-punch knockdown of Blake convinces Jerry that it¹s time to make his return to competitive boxing. Thus ends a 20-year layoff and begins a hilarious fish-out-water quest for Olympic gold.
For photographer Ben and his new wife Jane, his new assignment--a lucrative fashion shoot in Tokyo--was supposed to be a kind of working honeymoon. With this exotic professional opportunity and the limitless possibilities of a new marriage, Ben and Jane arrive in Japan. But as they make their way on a mountain road leading to Mt. Fuji, their new life together comes to, literally, a crashing halt. Their car smashes into a woman standing in the middle of the road, who has materialized out of nowhere. Upon regaining consciousness after the accident, Ben and Jane cannot find any trace of the girl Jane believes she hit with the car. Shaken by the accident and by the girl's disappearance, Ben and Jane arrive in Tokyo, where Ben begins his glamorous assignment. Having worked in Japan before and fluent in the language, Ben is comfortable there, and he eagerly reunites with old friends and colleagues. Jane, a newcomer to the city, feels very much like a stranger in a strange land as she makes tentative, unsettling forays through the city. Ben, meanwhile, has discovered mysterious white blurs--eerily evocative of a human form--that have materialized on an entire day's work from the expensive photo shoot. Jane's concerns escalate as she believes the blurs in Ben's photos are the dead girl from the road, who is now seeking vengeance for them leaving her to die.
Written and directed by:
A single mother rediscovers the joys of family A single mother living in inner city Chicago, Brenda has been struggling for years to make ends meet and keep her three kids off the street. But when she's laid off with no warning, she starts losing hope for the first time - until a letter arrives announcing the death of a father she's never met. Desperate for any kind of help, Brenda takes her family to Georgia for the funeral. But nothing could have prepared her for the Browns, her father's fun-loving, crass Southern clan. In a small-town world full of long afternoons and country fairs, Brenda struggles to get to know the family she never knew existed and finds a brand new romance that just might change her life.
UNDER THE SAME MOON (LA MISMA LUNA) tells the parallel stories of nine-year-old Carlitos and his mother, Rosario. In the hopes of providing a better life for her son, Rosario works illegally in the U.S. while her mother cares for Carlitos back in Mexico. Unexpected circumstances drive both Rosario and Carlitos to embark on their own journeys in a desperate attempt to reunite. Along the way, mother and son face challenges and obstacles but never lose hope that they will one day be together again. Riggen's film is not only a heartwarming family story; she also offers subtle commentary on the much-debated issue of illegal immigration.