Sounding Off: Whatever happened to the epic animated power ballad?

Allison Loring

by: Allison Loring
November 15th, 2010

My first experience with soundtracks came from Disney animated films. As these were the films I was allowed to watch as a young lass, it makes sense, but back when I was growing up it seemed that each of these films also came with a major ballad sung by a popular singer of the time.

Animated features released these days still have stirring scores (HOW TO TRAIN YOUR DRAGON was one of my most well-reviewed scores this year), but while driving around today, “Here I Am” by Bryan Adams from SPIRIT: STALLION OF THE CIMARRON (2002) came on and I thought, “whatever happened to the power ballads from pop artists that used to go along with these films?”

Big names such as Elton John (THE LION KING, 1994) and Phil Collins (TARZAN, 1999) created original songs for the entire soundtracks of these films, but I'm talking about the ballads they themselves actually sing (usually played over the end credits). John did so with “Can You Feel The Love Tonight” and Collins with “You’ll Be In My Heart.” Long before she became famous for TITANIC (1997), Celine Dion joined Peabo Bryson on the duet “Beauty and the Beast” (1991) and the master of the power ballad, Michael Bolton, gave us “Go the Distance” for HERCULES (1997). Even Christina Aguilera first broke onto the scene with her rendition of “Reflection” for MULAN (1998) with her first hit, “Genie in a Bottle,” not hitting the charts until the following year (1999).

These songs did not just work in the context of their animated film framework, they were songs that could stand alone as big-scale ballads that could be enjoyed even without their home film. Why are audiences not treated to the same type of songwork these days?

It seems that the only time animated features get songs of this nature anymore is when the singer themselves is providing the voice to one of the characters in the film (Miley Cyrus as Penny in BOLT, 2008; Mandy Moore as Rapunzel in TANGLED, 2010). Disney is known for rolling out current pop stars (particularly of their own making) to re-record the classic songs from their best animated hits, but why not bring these stars on to record new hits for their current releases?

Songs like these added so much heart to these films and, even when I fell out of the films' age demographic, I distinctly remember these ballads. These were not songs only adults and parents could appreciate, and the music videos that usually ran on Disney with the artists singing along with the animation only drove that point home further. Marketers know kids have allowances to spend, so what happened to giving them (and us) something decent to spend their money on?

There's no question that people are going to watch these films - I just wonder what happened to the epic ballads that used to go hand-in-hand with them?

Commenting Rules: Comments are intended to open up the discussion to our readers about the topics at hand, and as such should be offered with a positive and constructive attitude. If your comment is not relative to the above post or is disrespectful to the authors and readers, we reserve the right to delete it. Continued abuse of our good nature will result in banishment of the offender. Additionally, if you have any burning issues to point out to the GATW crew - typos, corrections, suggestions, or straight-up criticism - please email us instead of commenting here.

  • Pingback: Tweets that mention Sounding Off: Whatever happened to the epic animated power ballad? » --

  • KateErbland

    Please note, this article was inspired by the fact that I STILL listen to “Here I Am,” just for fun, just whenever. Thanks to Allison for turning my idiocy into something interesting.

  • Adam Muth

    Very well said, I love these songs so much too. I wrote an article about this topic last year on, naming a great number of my favorite animated movie pop ballads, Disney and otherwise, even songs from movies I’ve never seen before, but still appreciate.

  • Recent Post